TCCBDA Jazz Etudes SET C-Bass Trombone Etude 3 (pdf) Download. Use this opportunity to solidify good fundamentals: “top of the tip of the tongue to the bottom of the tip of the reed” and “Just talk on the reed.” Tongue motion should be consistent: the same part of the tongue should return to the same part of the reed with each tongue stroke. Play this etude with expressive vibrato, forward motion to destination notes and elegant tapers at the ends of phrases. One of the most challenging moments in the etude occurs in mm.

The accents should be dry with slight decay m. 35, etc (the low C’s are not the focal point of this section). Written by a bass trombonist for bass trombonists! m. 10, beat 4, the upper note of the mordent should be a D natural
Also, work to develop the control necessary to play completely legato in the extreme dynamic markings. CarlosRodrigez. This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. 32 m. 81- play large notes: A-flat, D, G, and B (Note: the bass clef is "old notation"-written one octave lower than performed). Key: D Major 16, 34, and 46 in order to relieve built up pressure. The Beethoven example is typical of much Classical and early Romantic fare. Use of a vibrato is highly recommended in appropriate places. This consistency of quality is particularly important in mm. Key: C Major After purchase you can download your video from your Digital Library. The piece requires careful attention to weight differential between the weighted, emphasized accents and the lighter, crisper staccato markings. This is challenging and fun; my favorite bass trombone etude book. Breathe on a tie as in mm. In lyrical playing the difference between tongued and slurred articulation is subtle and not highly contrasted. Save 40% on select overstock sheet music titles! 6 and 40, use the right thumb A-flat key (below G-flat key) for the low A-flat for a smoother approach from the low F. If the E-flat in m. 41 after the second high G doesn’t speak easily, be sure that you are closing your half hole on time and flick the C-sharp key on the E-flat. Performance Guide: Tempo: Quarter note 96–112. Once the performance tempo is reached, switch to a half note pulse. Etude Title: No. Item: 007403

(posted 6/19) This etude was originally a violin study, so your job is to mimic energetic, controlled bow action and response with the “tongue”. that were originally written for low horn, his 60 Etudes, Opus 6. ), and controlling your personal trombone skills throughout. Listen for and identify the patterns of notes that help to make up the melodic lines. Etude Title: Cantabile alla Moderna The middle cantabile section allows the player to produce a “singing” tone quality with an open throat position, warm air supply and rhythmically controlled finger motion. Tempo: Dotted Half Note = 60–66. Grade: Book Title: Advanced Snare Drum Studies The numbers represent only distinct parts, not the number of copies of a part. Errata: 35-36 is most tricky, and careful experimentation with sticking approaches will be critical. In the adaptation, the same transposition has been followed for all the studies, with them now being an octave lower than the original. Item: 007849

Start practicing slowly with a quarter note pulse on the metronome and gradually speed up. m. 7: Omit the first ending and continue the slur from m. 7 to the downbeat of m. 9. This etude is features mixed articulation challenges and control of staccato throughout . Page(s): 9

Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: The bracketed numbers tell you the precise instrumentation of the ensemble. If done correctly, the player’s technique will flow smoothly even in these difficult passages. Performance Guide: Tempo: Quarter Note = 88–98. Finally, the descending lines with dotted rhythms in mm. Analyze by measure which F fingering fits best. 36 The end product must be musically convincing as well as technically impressive. Part of the issue is rhythmic, and you will need to be very careful to train your ear to hear these phrases in time. Key:

A standard rule on bass trombone is “the lower it goes, the louder you get”. • Orders using this coupon are not eligible for Affiliate credit.

For any staccato marking on an eighth note (m. 1, 3, 4, 5, etc. Raph, Alan Double Valve Bass Trombone A comprehensive method book for the tenor trombonist wishing to learn the bass. Etude Selector Video Performance Guide, Etude Title: No.

Etude Title: No. In scale passages remember to adjust your half holes for adjacent F-sharp and G-sharp, using a larger opening for F-sharp and smaller opening for G-sharp, and flick as many A-naturals as possible, taking care to close your half hole completely to avoid distortion. Edition: No. Bass Trombone Selection 2. Page(s): 32-33 It is a study in mapping out which F fingering to use where. On the other hand, it is not specified that these studies were written for the natural horn. m. 45: Play as written. or rit.). At m. 27, the Tempo 1, the quarter note = 96-112. m. 12 – 1st note of beat 4 is C-natural. Centering pitches between large intervallic leaps is a crucial element of this etude.

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